You can feel slight chirping or slipping of the tires and apply power and clutch accordingly to get maximum traction and acceleration. The IRS provides excellent grip on launch, but it also reduces some of that feel because the tires are more isolated from the chassis. Because of this, it’s harder to feel exactly what the car is doing, which is important when you’re on the ragged edge of slip or grip. This forced us to drive more conservatively to find consistency. Of course, this wouldn’t be a problem with drag radials or slicks.
We’re going to argue, however, that the all-new Gen 6 Camaro is more significant. In our admittedly limited experience with preproduction examples and careful evaluation of the elements comprising it, it’s more of a driver’s car. We don’t mean to cast aspersions on the unquestionably popular Gen 5, but it was a car trimmed to fit an existing platform one that wasn’t originally envisioned as a 21st century ponycar.
The 2015 is comfortable and nimble on the street. It has good power and a great sound too. We were anxious to get on track, do a real burnout, and launch on a prepped surface. What we found is that the 2015 Mustang is tricky to launch compared to the out-going S197 Mustang. Why? In layman’s terms, the live axle in the S197, which is considered somewhat crude, provides great feedback for drag racing. The three-link suspension does a fantastic job of planting the tires and transferring the torque loads to the body to create pitch rotation (nose lift) to transfer weight from front to back. The heavy axle assembly also gives lots of feedback to the driver and really communicates what the tires are doing.
Chevy was apparently listening to all that feedback at tuner events, because there’s also a new LED ambient lighting system with 24 different colors that can be switched to a car show mode when the car is parked. It creates a theatrical light show that we can only assume will be hacked to strobe in rhythm to bands like, well… we’re too old-school to hazard a guess. Kids today and their music. Let’s just move on to the engines.